NMF: From Sech to Lenexx & Villano Antillano
Discover this week’s hottest reggaeton, dembow, Latin trap & perreo releases featuring Sech, Jory Boy, Lolo OG, Amara La Negra, Lenexx y más. Stream the best new Latin music out now.
Sech’s Gata Oficial is a perfect fit for his romantic reggaeton style, a modern continuation of what many recognize as the softer, more melodic Panamanian approach to the genre. The track cleverly samples the original Gata Oficial by Luigi 21 Plus, and instead of relying on nostalgia alone, Sech reshapes it into something fully his own. His contemporary twist on the record feels intentional and refined, proving how effective sampling can be when it’s treated as reinterpretation rather than imitation. Rhythmically and melodically, the song sits comfortably among some of Sech’s strongest work, balancing softness with groove in a way that feels effortless. It further reinforces that his romantic lane isn’t a limitation, but rather where his artistry thrives the most.
Lenexx’s Sabor a Açai is one of the first tracks teasing her upcoming debut album I Love Funketón, and it immediately reinforces her position at the forefront of a Baile Funk–Reggaeton fusion sound she’s actively shaping. The record is a flirty, high-energy number that feels built for movement, blending Brazilian funk rhythms with reggaeton’s bounce in a way that keeps the track constantly in motion. There are moments where the rapid delivery can make the lyrics slightly hard to follow, but the infectious beat more than carries the experience from start to finish. Her coquettish line “oye moreno que tú me hiciste?” pulls you in instantly and sets the tone for the song’s playful concept, where kisses are framed as tasting like açaí. It’s a clever cultural bridge that nods to both Spanish-speaking listeners and the Brazilian diaspora through flirtation and sensory imagery. Ultimately, “Sabor a Açai” is a win for Lenexx — a confident step forward in defining her sonic identity.
Villano Antillano’s Bichifokel is a sassy, sexy reminder that she is exactly who she says she is. Her playful bars and masterful delivery turn the record into a dancehall en español anthem that feels unmistakably Puerto Rican, from its name to its conceptual core. In “Bichifokel,” Villano delivers a bold, self-assured performance that doubles as a statement of identity, desire, and presence. The track also resonates as a reflection of lived trans experience, carried through confidence rather than explanation. Lines like “Única en mi clase, soy el último modelo / Sé que tu fantasía es darme contra el suelo” land with sharp wit and undeniable charisma, reinforcing her one-of-a-kind aura. At its core, the song is about being the object of desire while fully owning that power. This is Villano at her most playful, most commanding, and most in control — a true anthem for anyone who wants to feel like a bad bitch.
Amara La Negra’s Tiene Tumbao featuring Bigoblin and Kreizy K, A&Red by the legendary DJ Chosen Few Boy Wonder, is a fun and contemporary take on dembow that feels rooted in both confidence and movement. Amara kicks the record off with no hesitation, delivering bars that immediately set the tone for empowerment and control. Lyrically, the concept of “tiene tumbao” is embodied through every verse, with Bigoblin and Kreizy K reinforcing that sense of presence, charisma, and Afro-Latina flare. The record stands out because it expands the evolving sound of dembow while still keeping its core energy intact. Most importantly, it gives women a space to celebrate themselves loudly and without apology. In true Amara La Negra fashion, it’s also fully built for the dancefloor — an essential part of what dembow is and continues to be.
